Category Archives: Movie
When watching Alfred Hitchcock’s classic comedy-thriller The Lady Vanishes last night, I couldn’t help but keep returning to a movie I saw several years ago, a Jodie Foster thriller named Flightplan. The similarities are uncanny. Someone close to the main character disappears from a moving transportation vehicle without a trace and nobody remembers what happened.
That was excusable, but I felt that the line between “homage” or “allusion” and “rip-off” was crossed when Flightplan blatantly copied one of the key plot points from The Lady Vanishes.
In The Lady Vanishes, the woman who disappears writes her name in the mist on the dining car window. Later, when the main character is dining at that same table, she sees the name in the mist. Similarly, the daughter in Flightplan draws a heart in the mist on the airplane window, a heart which Foster’s character is able to find by breathing warm air onto said window. Here’s the video evidence:
I’ve known about this website for a while, but until I started these “Internet Fun” posts, I never really had anywhere to share it. It’s called Last Exit to Nowhere. They make T-Shirts based on movies. They’re awesome T-Shirts. I want all of them. There’s really not a lot more to say.
You may remember that some time ago, I wrote about something which I called the Carmen Sandiego Effect, the idea that fictional universes can intersect with our own by creating physical manifestations of that world that are “left behind” – things like websites, in-universe fiction, and – in this case — T-Shirts. These are awesome and you should go buy one.
After reading a friend’s blog post on her favorite Christmas movies, I was inspired to do some writing of my own and create a similar list. I only wish that ours didn’t overlap so heavily. After all, originality is always a point of pride with me.
1. Love Actually
This star-studded, Christmas-themed film is a pastiche of numerous different love stories. From Colin Firth (delicious) being in love with a maid that once worked with him to Liam Neeson’s really horny son, this movie is packed with wonderful feel-good moments. Ultimately, though, one love story in particular attracts me to this film again and again.
The ever charming Alan Rickman stars in this film as an office manager who buys a gold necklace and, instead of giving it to his wife, he gives it to his secretary. Naturally, the wife finds out. One could argue, and I would, that this- in fact- is the greatest love story out of all of them. The wife loves her husband and children so much that she is willing to overlook his terrible sin and continue the relationship. Personally, I would have dumped Alan Rickman, but she doesn’t. True love: what more is Christmas about?
2. White Christmas
I took some time considering whether I should go choose this or Irving Berlin’s slightly earlier songbook film Holiday Inn, but ultimately chose this one on the grounds that it isn’t as racist.
I jest, of course. I get really mad every time I see the black-faced routine in Holiday Inn. Anyway, there are two fantastic love stories in here and they both come with great music. Everyone knows this one, so I’ll keep it short. I dare you not to cry when the snow finally falls in Vermont.
3. Meet Me in St. Louis
OK. You caught me. I’m cheating a little. This isn’t exactly a Christmas movie, but it does have Christmas in it, so it counts. Right?
Judy Garland, a young woman famous for a certain other musical, showcases some phenomenal acting and singing by playing Esther Smith, a young woman madly in love, but hit by tough times. Many people do not realize it, but this is actually where the Christmas standard “Have Yourself a Merry Little Christmas” came from. Plus, with other great little ditties like “The Trolley Song,” which won a well-deserved Academy Award for best song, how can you go wrong? Maybe It’s something wrong with me, but I’m a sucker for just about every musical ever made, and this is no exception.
4. It’s a Wonderful Life
This seminal Christmas hit is more of a study on chaos theory than it is a Christmas film, but still I love it so. Anyway, you all know the story, so I’ll skimp there. Here’s the bottom line:
James Stewart does a great job (as always) starring as a banker who decides the world would be better off if he had never been born. Then, he gets taken through this alternate timeline by an angel. There you go! That’s the story. Sound familiar? If not, you may have been living on the planet Venus. I enjoy it anyway, and it makes me bawl, so there.
5. The Thing (1982)
OK. Now I’m really cheating, but there is lots of snow. So there.
Anyway, after spending so much time blabbing about the “Christmas spirit,” standing in line at the store waiting for the cashier to finish checking out the lady who bought the entire store’s worth of tacky Santa figurines, wrapping gifts with paper that seems to in fact be engineered to make wrapping impossible, and listening the the Chimpunks’ Christmas Song 87 times in a row, you really want to watch things die. That’s where Mr. Carpenter’s classic horror film comes in. There is enough blood and guts in here to make David Cronenberg cringe. Plus, it’s really scary. It may not make you feel all warm and fuzzy, but just imagine that the characters in this film are actually annoying Christmas shoppers. Instant stress relief!
So there’s my list. It’s a little unusual, but I think it does a good job of covering all my favorites. What’s yours?
Daybreakers is the rarest of Hollywood Action-Horror crossovers: it succeeds in both genres and has a concept that allows it to pursue complex moral questions and modern-day issues without ever getting preachy or lame. The script had flaws, but- and I very rarely say this- the rest of the film was good enough to overlook the script issues.
Vampire films are a dime a dozen these days. Two Twilight Saga films come out every year; rip offs of those, and even things like HBO’s True Blood crowd the marketplace for vampire-related fiction. In order to stand out, a vampire film has to be really different, with a special “hook” to grab you and interesting characters to make you stay. Daybreakers does this incredibly well. Here’s the hook: In the year 2019, most of the population has been transformed into immortal vampires. However, they require human blood to live. (Their own blood disfigures them and causes brain damage.) For the last ten years, human blood as a resource has been dwindling, causing a need to find a blood substitute.
The beauty of Daybreakers lies in its not-so-subtlety and beautiful use of blood and gore. It’s a great big-budget b-movie.
The Poughkeepsie Tapes was, for a time, one of the most highly anticipated horror film releases of the year 2006. As it made a limited festival run at the big names (primarily Tribeca), it gained a small, eager following. After Tribeca, MGM acquired the film and planned for its release. However, as we know, MGM shortly after hit money troubles and the planned re-shoot of several major scenes was cancelled, making the film a lame duck in MGM’s catalog and causing an indefinite release delay. After four years, of sitting around, the original screener cut was given a limited theatrical release then shelved again. A DVD has been promised, but not delivered. I lost patience. My review here is, thus, not based on any official DVD, but a screener copy that I downloaded off of BitTorrent.
The plot of The Poughkeepsie Tapes centers around the idea of a serial killer who spent more than fifteen years active in the Poughkeepsie and Putnam counties in New York. After years of hunting, the FBI has finally caught a break when an IP-address trace on some of the killer’s internet activity provides them with a street address. The arrive at the home, bash in the door with SWAT Team members, and discover the house to be empty except for three things: cadavers in the backyard, a barely breathing past victim, and thousands of home-recorded VHS tapes depicting his crimes. These tapes become the basis of the film. Unlike most found footage films, however, The Poughkeepsie Tapes continues to frame these tapes with narration and interviews from the various parties involved. This is, at heart, a deeply disturbing horror mockumentary.
The Poughkeepsie Tapes was directed by John Erick Dowdle (Quarantine, Devil, Quarantine 2: Terminal). He shows surprising agility and aptitude with storytelling and scare-delivery. There were no cheap “jump out of your seat” moments in this film. Instead, it relies on steady, building tension throughout the film. The collaborative script written by him and his brother, Drew Dowdle, creates the necessary atmosphere and only feel stilted once during the film. The quality of film wasn’t good, but in a mockumentary / found footage film, this was excusable.
The Poughkeepsie Tapes is a unique, riveting film about a truly terrifying idea. If you can stomach it, check it out. I give it a 3.5/4.
After seeing Christopher Nolan’s latest masterpiece, Inception, multiple times and reading the “Shooting Script I got in my copy of the Best Buy bundle, I have begun to notice things that I didn’t see before.
First of all, I may have been wrong to assume that the top at the end (which signifies reality) did fall. The film certainly leaves it ambiguous (though it looks like the top is losing its balance) and the last line of the script says:
The TOP, which is STILL SPINNING.
This makes it pretty clear to me that the Nolans (or Jonathan, if not Christopher) wanted to add this extra, foreboding element of complexity to the end of the film. It’s possible that that in focus group testing this ending was too controversial, so it was recut with the top starting to fall. On a Hollywood level, this makes a lot of sense; a ton of directors have been required to alter their endings to make a film more mainstream in the past.
Another thing that changed between the Shooting Script and the final film was an elimination of much of the voice-over text. There is also no mention of the (slightly confusing) merging of Saito’s home in Limbo with the dreamworld designed for him, which came at the beginning of the film.
Another thing which I noticed was the score. It’s carefully matched to sound like the music which warns of “the kick,” only dilated like it would be in the slow-moving dreamworld.